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 The Miraculous Story of the Fresco of Our Lady of Good Counsel


This is the story of an eggshell-thin fresco of Our Lady which flew all the way from Albania…

One day, centuries ago, it descended on ancient Genazzano,
a charming town on a hill thirty miles south of Rome.

 

Because of its proximity to Rome, the city was chosen by many patricians and imperial courtiers as a site for their country villas. The vast gardens surrounding these villas often served as the stage for perverse feasts, pagan games and heathen rituals in honor of the gods to whom the Romans attributed the fertility of their fields.

One of these celebrations was held every April 25 in honor of the goddess Flora or Venus. For this event, people of all social classes—freemen and slaves, patricians and plebeians—gathered together for a great feast. This practice gradually dissolved and the temples fell into ruins as the life-giving breath of Christianity regenerated the peoples of Europe.

 Photos of the medieval town of Genazzano

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 In the third century, an order was given to build a shrine dedicated to the Mother of God under the tender invocation of Mother of Good Counsel on the ruins of the Roman temples.

Medieval town of GenazzanoAs the years went by, the city became more populous and the shrine grew in fame. During the Middle Ages, the Franciscans and the Augustinians founded monasteries nearby. With the passing of years, the primitive temple erected in honor of the Mother of Good Counsel began to show signs of disrepair. Moreover, as the shrine was small, the faithful built larger and richer churches for their solemn functions.

In 1356, about a century before the appearance of the miraculous painting that would introduce Genazzano into the annals of marvels in the Church, Prince Pietro Giordan Colonna, whose family had acquired lordship of the city, assigned the most ancient church of the city and its parish to the care of the Hermits of St. Augustine.

The faithful would thereby have the necessary pastoral assistance, and repairs could be made on the old church.

Although the prayers of the faithful intensified, financial difficulties prevented the necessary and urgent restoration of the ancient temple. But the Mother who gives wise counsel in every circumstance and attentively provides for the necessities of men chose a Third Order Augustinian, Petruccia de Nocera, to carry out a supernatural prodigy that would bring about the much-desired restoration.

Petruccia had been left a modest fortune following the death of her husband in 1436. Living alone, she dedicated most of her time to prayer and services in the church of the Mother of Good Counsel. It grieved her to see the deplorable state of the sacred premises, and she prayed fervently that they would be restored.

Finally, she resolved to take the initiative. After obtaining permission from the friars, she donated her goods to initiate the restoration in the hope that others would help complete it once it was commenced.

Church of Our Lady of Good CounselA plan was drawn up for the building of a magnificent church. However, once that arduous undertaking had begun, Petruccia, who was already eighty years old, found that her generous offering was scarcely enough to complete the first phase of the new construction. To make matters worse, no one came forth to help.

To her dismay, the building had hardly risen three feet when construction came to a halt due to lack of resources. Her friends and neighbors began to ridicule her, and detractors accused her of imprudence. Others severely reprimanded her in public. To all of them she would say: "My dear children, do not put too much importance on this apparent misfortune. I assure you that before my death the Blessed Virgin and our holy father Augustine will finish the church begun by me."

On April 25, 1467, the feast day of the city's patron, Saint Mark, a solemn celebration began with Mass. It was Saturday, and the crowd began to gather in front of the church of the Mother of Good Counsel. The only discrepant note in the celebration was the unfinished work of Petruccia.

At about four in the afternoon, everyone heard the chords of a beautiful melody that seemed to come from heaven. The people looked up toward the towers of the churches and saw a white cloud that shone with a thousand luminous rays; it gradually neared the stupefied crowd to the sound of an exceptionally beautiful melody. The cloud descended on the church of the Mother of Good Counsel and poised over the wall of the unfinished chapel of Saint Biagio, which Petruccia had started.

 

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The miraculous image of Our Lady of Genazzano

Icon of Our Lady of Good Counsel

Suddenly, the bells of the old tower began to ring by themselves, and the other bells of the town rang miraculously in unison. The rays that emanated from the little cloud faded away, and the cloud itself gradually vanished, revealing a beautiful object to the enchanted gaze of the spectators.

It was a painting that represented Our Lady tenderly holding her Divine Son in her arms. Almost immediately, the Virgin Mary began to cure the sick and grant countless consolations, the memory of which was recorded for posterity by the local ecclesiastical authority.

The news of the painting and its miracles spread throughout the province and beyond, attracting multitudes. Some cities formed enthusiastic processions to see the picture that the people called the Madonna of Paradise because of its celestial entrance into the city. Numerous alms were donated as an answer to the unwavering confidence that Our Lady had inspired in Petruccia.

Amidst the general enthusiasm caused by the painting, Our Lady wished to divulge the true origin of the marvelous fresco to her devotees. Two foreigners named Giorgio and De Sclavis entered the city among a group of pilgrims that had come from Rome.

They wore strange clothes and spoke a foreign tongue, saying they had arrived in Rome earlier that year from Albania. While most people had refused to believe their story, it had a special significance for the inhabitants of Genazzano.

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Interior of the Church of Our Lady of Good CounselJanuary of 1467 saw the death of the last great Albanian leader, George Castriota, better known as Scanderbeg. Raised by an Albanian chief, he placed himself at the head of his own people.

Subsequently, Scanderbeg inflicted stunning defeats on the Turkish army and occupied fortresses all over Albania.

With Scanderbeg’s death, the Turkish army, finally free from the Fulminating Lion of War, poured into Albania, occupying all its fortresses, cities and provinces with the exception of Scutari, in the north of the country.

However, the city's capacity to resist was limited, and its capture was expected at any moment. With its fall, Christian Albania would be defeated. Faced with this prospect, those who wished to practice their faith in Christian lands began a sad exodus. Giorgio and De Sclavis also studied the possibility of fleeing, but something kept them in Scutari, where there was a small church, considered the shrine of the whole Albanian kingdom.

In this church the faithful venerated a picture of Our Lady which had mysteriously descended from the heavens two hundred years before.

According to tradition, it had come from the east. Having poured out innumerable graces over the whole population, its church became the principal center of pilgrimage in Albania. Scanderbeg himself had visited this shrine more than once to ardently ask for victory in battle. Now the shrine was threatened with imminent destruction and profanation.

The two Albanians were torn by the idea of leaving the great treasure of Albania in the hands of the enemy in order to flee the Turkish terror. In their perplexity, they went to the old church to ask their Blessed Mother for the good counsel they needed. 

That night, the Consoler of the Afflicted inspired both of them in their sleep. She commanded them to prepare to leave their country, which they would never see again. She added that the miraculous fresco was also going to leave Scutari for another country to escape profanation at the hands of the Turks. Finally, she ordered them to follow the painting wherever it went. 

The next morning, the two friends went to the shrine. At a certain moment they saw the picture detach itself from the wall on which it had hung for two centuries. Leaving its niche, it hovered for a moment and was then suddenly wrapped in a white cloud through which the image continued to be visible. 


Following the icon of Our Lady of Good CounselThe pilgrim painting left the church and the environs of Scutari. It traveled slowly through the air at a considerable altitude and advanced in the direction of the Adriatic Sea at a speed that allowed the two walkers to follow; after covering some twenty-four miles, they reached the coast.

With unbounded confidence, Giorgio and De Scalvis walked on the waves of the Adriatic Sea.

Without stopping, the picture left the land and advanced over the waters while the faithful Giorgio and De Sclavis continued to follow, walking on the waves much like their Divine Master had done on Lake Genesareth. When night would fall, the mysterious cloud, which had protected them with its shade from the heat of the sun during the day, guided them by night with light, like the column of fire in the desert that guided the Jews in their exodus from Egypt.

They traveled day and night until they reached the Italian coast. There, they continued following the miraculous picture, climbing mountains, fording rivers and passing through valleys. Finally, they reached the vast plain of Lazio from where they could see the towers and domes of Rome. Upon reaching the gates of the city, the cloud suddenly disappeared before their disappointed eyes. 

Giorgio and De Sclavis began to search the city, going from church to church asking if the painting had descended there. All their attempts to find the painting failed, and the Romans incredulously regarded the two foreigners and their strange tale. 

Shortly thereafter, amazing news came to Rome: a picture of Our Lady had appeared in the skies of Genazzano to the sound of beautiful music and had come to rest over the wall of a church that was being rebuilt. The two Albanians rushed to find their country's beloved treasure miraculously suspended in the air next to the wall of the chapel where it remains to this day. 

Although some inhabitants found the strangers' story difficult to believe, careful investigation later proved that the two were telling the truth and that the image was indeed the same one that graced the shrine in Scutari.

 

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Thus Mary Most Holy, with the humble participation of a pious Third Order Augustinian on one side of the Adriatic and two faithful Albanians on the other, transported her mysterious fresco from the unhappy and unfortunate Albania to a little city very close to the heart of Christendom. Beginning her historic journey from that small Albanian shrine, which she had not chosen by chance, she traveled across the sea to pour on the world a new torrent of graces under the invocation of Mother of Good Counsel.

This special invocation of Our Lady of Good Counsel of Genazzano is for those who are searching for good advice.  Her feast day is on April 26.

 


 

Pray:

 

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DAILY QUOTE for April 26, 2017

Two things are required in order to obtain eternal life: the...

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April 26

 

Two things are required
in order to obtain eternal life:
the grace of God and man’s will.
And although God made man without man’s help,
He does not sanctify him without his cooperation.

St. Thomas Aquinas

 

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SAINT OF THE DAY

Mother of Good Counsel

The two soldiers followed the image over land and across the...

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Mother of Good Counsel

In the quaint medieval town of Genazzano, about 30 miles from Rome, on a side altar of the Church of Our Lady of Good Counsel, there is a small image of the Blessed Virgin holding her infant Son. The Child, in His turn, lovingly encircles Mary's neck with His arm, inclining her head towards Himself in a gentle and intimate embrace.

This small fresco has a marvelous history.

In the fifteenth century there lived in the town an elderly widow, by name Petruccia, who had invested the entirety of the small fortune left to her by her husband in a needed side chapel for her church. Her money running out when the walls were only a few feet high, the townsfolk openly mocked and ridiculed her for her foolishness. Undaunted, Petruccia assured them that in spite of the apparent failure of her own endeavors, the Mother of God and St. Augustine, whose spiritual sons were caretakers of the church, would finish the work she had begun.

On April 25, 1467 as the inhabitants of Genazzano celebrated the feast of their patron St. Mark, marvelous music was heard approaching, its source seemingly from above. Looking upwards, the astounded citizens saw a brilliant cloud descending towards them. The bell of the church, and then others throughout the town, began to peel of their own accord. The cloud came to rest on Petruccia’s unfinished chapel wall and gradually dissipated, revealing the extraordinary image of the Madonna and Child. The widow's supernatural confidence being so wonderfully rewarded before the astonished gaze of all, the construction of the chapel was not long in its completion.

Shortly after these remarkable events, two foreigners in strange attire arrived in Genazzano claiming to be Albanians. Their names were Giorgio and DeSclavis and on seeing the icon, they cried out with joy and then told a wonderful tale.

After the death of Albania's king, George Castriota, known as Scanderberg, their nation had finally been conquered by the invading Turks. Early in 1467, while they prayed before the miraculous fresco, the image suddenly became illuminated, and detaching itself from the wall, it began to move through the air. Entranced, the two former soldiers followed the painting, first over land and, then, across the Adriatic Sea, which solidified under their feet.

In the Eternal City they lost sight of it, until hearing reports of a great miracle in a nearby town, they surmised where their Madonna had come to rest. Both decided to remain near their treasure, and married and raised families in Genazzano.

A plaque left at the shrine by visiting Albanians begs their Madonna to return to them, but there she is to this day. It is a continuous miracle: a fresco painted on eggshell plaster suspended in the air for five and a half centuries, but how much greater is the miracle of that tender embrace between Mother and Child, that union of soul into which each one is invited and warmly received.

WEEKLY STORY

The Heavenly Baker

One year, there was a famine, and most people were obliged t...

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The Heavenly Baker

In the time when Saint Catherine of Siena walked the streets of her quaint medieval town, she sometimes stayed at the house of a widow-friend, Alessia, to avoid the distractions of her noisy home.

One year, there was a famine, and most people were obliged to buy long stored wheat. The bread made from this wheat had a sour after-taste. But as the new harvest came in, and there was fresh wheat to buy, Alessia remarked to St. Catherine:

“Mother, this old wheat makes sour bread, so as the Lord has had pity on us, I will throw away the little that I still have.”

“You wish to throw away what the Lord has given us for our food?” replied Catherine, “at least give it to those who don’t even have that.”

“O, I feel guilty giving from the old wheat…I’d rather give from the new, fresh batch,” remonstrated Alessia.

Saint Catherine then asked that she give her the flour and some water, for she wished to make bread for the poor of Our Lord.

As Catherine worked, not only did she produce an astounding number of loaves from so little flour, but turned them out so fast that Alessia and her maid couldn’t believe their eyes.

Served at table, everyone was amazed how delicious and sweet these loaves were. “We haven’t tasted better!” they exclaimed. 

Moreover, when taken out to the poor and to the Friars, the bin kept giving without emptying.

Sometime later, on hearing of this miracle, St. Catherine’s confessor, Blessed Raymond of Capua, sensed that there was something “more” to this story, and pressed his spiritual child to tell him all.

So Catherine explained that as she had approached the flour box, she had seen the sweet Lady Mary standing there with several angels and saints graciously offering to help her make the bread.  So Mary Most Holy began to work the dough with Catherine, and by virtue of those immaculate hands not only was the wheat made sweet, but the number of loaves multiplied. 

“The Madonna herself gave me the loaves as she made them,” related Catherine, “and I passed them onto Alessia and her maid.”

“No wonder,” writes Blessed Raymond in his biography of Saint Catherine, “that that bread seemed so sweet , since it was made by the perfect hands of the holy queen, in whose most sacred body, the Trinity made the Bread that came down from heaven to give life to all unbelievers.”

And the same writer asserts that years after in Siena, people still treasured pieces of this blessed bread as relics. 

 

Taken from The Life of Saint Catherine of Siena by Blessed Raymond of Capua - By Andrea F. Phillips

 

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One year, there was a famine, and most people were obliged to buy long stored wheat.

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