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On August 13, the day the fourth apparition was to take place, the seers were not at Cova da Iria.

They had been abducted by the mayor of Vila Nova de Ourém, who attempted to force from them the secret revealed in the apparition of July 13. The children held fast despite the mayor imprisoning them, and threatening to plunge them in boiling oil.

At Cova da Iria, thunder, followed by lightning, was heard at the usual time.

The spectators noticed a small white cloud that hovered over the holm oak for a few minutes. Phenomena of coloration were observed on the faces of the people, the clothing, the trees, and the ground.

Our Lady had certainly come, but she had not found the seers.

On August 19, at about four o'clock in the afternoon, Lucia was with Francisco and another cousin at Valinhos, a property belonging to one of her uncles, when the atmospheric changes that preceded the apparitions of Our Lady at Cova da Iria began to occur: a sudden cooling of the temperature and a waning of the sun.

Feeling that something supernatural was approaching and enveloping them, Lucia sent for Jacinta, who arrived in time to see Our Lady appear – heralded as before by a bright light – over a holm oak slightly larger than the one at Cova da Iria.

 

Lucia: What does Your Grace wish of me?

Our Lady: I want you to continue to go to Cova da Iria on the thirteenth of each month and to continue to pray the Rosary every day. On the last month, I will perform the miracle for all to believe.
Then Our Lady’s face became more serious, and even upset.

Our Lady: If they had not taken you to Ourém, the miracle would have been even greater.

Lucia: What does Your Grace want done with the money that the people leave at Cova da Iria?

Our Lady: Have two portable stands made. You and Jacinta with two other girls dressed in white carry one of them, and let Francisco carry the other one with three other boys. The portable stands are for the feast of Our Lady of the Rosary. The money that is left over should be contributed to the chapel that they shall build.

Lucia: I would like to ask you for the healing of some sick persons.

Our Lady: Yes, I will cure some during the year.
Becoming sadder, she recommended anew the practice of mortification, saying lastly, 'Pray, pray much, and sacrifice for sinners, for many souls go to hell because there is no one to sacrifice and pray for them.'
As usual, she then began to rise toward the east. The seers cut boughs off the tree over which Our Lady had appeared to them and took them home. The boughs gave off a uniquely sweet fragrance.

 


 

 

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DAILY QUOTE for April 26, 2018

Two things are required in order to obtain eternal life: the...

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April 26

 

Two things are required
in order to obtain eternal life:
the grace of God and man’s will.
And although God made man without man’s help,
He does not sanctify him without his cooperation.

St. Thomas Aquinas


Madonna and Child  DUNKED IN URINE?  STOP!

SAINT OF THE DAY

Mother of Good Counsel

The two soldiers followed the image over land and across the...

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Mother of Good Counsel

In the quaint medieval town of Genazzano, about 30 miles from Rome, on a side altar of the Church of Our Lady of Good Counsel, there is a small image of the Blessed Virgin holding her infant Son. The Child, in His turn, lovingly encircles Mary's neck with His arm, inclining her head towards Himself in a gentle and intimate embrace.

This small fresco has a marvelous history.

In the fifteenth century there lived in the town an elderly widow, by name Petruccia, who had invested the entirety of the small fortune left to her by her husband in a needed side chapel for her church. Her money running out when the walls were only a few feet high, the townsfolk openly mocked and ridiculed her for her foolishness. Undaunted, Petruccia assured them that in spite of the apparent failure of her own endeavors, the Mother of God and St. Augustine, whose spiritual sons were caretakers of the church, would finish the work she had begun.

On April 25, 1467 as the inhabitants of Genazzano celebrated the feast of their patron St. Mark, marvelous music was heard approaching, its source seemingly from above. Looking upwards, the astounded citizens saw a brilliant cloud descending towards them. The bell of the church, and then others throughout the town, began to peel of their own accord. The cloud came to rest on Petruccia’s unfinished chapel wall and gradually dissipated, revealing the extraordinary image of the Madonna and Child. The widow's supernatural confidence being so wonderfully rewarded before the astonished gaze of all, the construction of the chapel was not long in its completion.

Shortly after these remarkable events, two foreigners in strange attire arrived in Genazzano claiming to be Albanians. Their names were Giorgio and DeSclavis and on seeing the icon, they cried out with joy and then told a wonderful tale.

After the death of Albania's king, George Castriota, known as Scanderberg, their nation had finally been conquered by the invading Turks. Early in 1467, while they prayed before the miraculous fresco, the image suddenly became illuminated, and detaching itself from the wall, it began to move through the air. Entranced, the two former soldiers followed the painting, first over land and, then, across the Adriatic Sea, which solidified under their feet.

In the Eternal City they lost sight of it, until hearing reports of a great miracle in a nearby town, they surmised where their Madonna had come to rest. Both decided to remain near their treasure, and married and raised families in Genazzano.

A plaque left at the shrine by visiting Albanians begs their Madonna to return to them, but there she is to this day. It is a continuous miracle: a fresco painted on eggshell plaster suspended in the air for five and a half centuries, but how much greater is the miracle of that tender embrace between Mother and Child, that union of soul into which each one is invited and warmly received.

WEEKLY STORY

The Miraculous Christ de la Vega

In the dead silence that ensued, all present heard a voice c...

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The Miraculous Christ de la Vega

There was once in the city of Toledo, Spain a soldier, Diego Martinez, and a young woman, Ines de Vargas, who were in love.

Diego was called to fight in Flanders, so, at Ines’ insistence, before a crucifix known as The Christ de la Vega, Diego solemnly swore to marry her on his return.

With Diego gone, Ines felt lost and alone, and often sought solace at the foot of the Christ who had witnessed their solemn engagement.

Years went by, Ines always on the lookout. One day, at the head of a returning cavalry, she beheld her fiancé. She screamed and rushed to meet him, but he feigned not to know her, and passed on.

Successful in war and prowess, he had not only been promoted to captain, but had been knighted by the King, and no longer considered Ines a worthy prospect.

Tears being of no avail, the spurned young woman took her case before the governor of Toledo, Don Pedro Ruiz de Alarcon, claiming that Diego Martinez had sworn to marry her. But the captain denied such a vow, and with no witnesses, the case was about to be dismissed when Ines cried:

“Indeed, there was a witness–the Christ the la Vega!”

There was a stunned silence. But, this was Catholic Spain, and finally, judge, Diego, Ines, court and the curious repaired to the Basilica of St. Leocadia* , which housed the carved Christ.

Kneeling between Diego and Ines before the life-sized crucifix, Don Pedro held up a Bible and asked if He, Jesus Christ, Sovereign Lord, would indeed swear to the couple’s solemn vow to wed each other.

In the dead silence that ensued, all present heard a voice coming from the statue,

“I SWEAR.”

At the same time, to the astonishment of all, the statue’s right arm, descended, its hand coming to rest on the Bible which the judge held up.

So struck were Diego and Ines, that giving up all earthly plans, they entered religious life.

As to the Christ de la Vega, to this day, His right arm remains in the same position, and, some affirm, His mouth slightly open in the utterance of His witness.

By A.F. Phillips

*Now the Ermita del Cristo de la Vega

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In the dead silence that ensued, all present heard a voice coming from the statue,

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