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As on the other occasions, the seers, Lucia, Francisco and Jacinta, first saw a bright light, and then they saw Our Lady over the holm oak.

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Lucia:
What does Your Grace wish of me?

Our Lady: I wish to tell you that I want a chapel built here in my honor. I am the Lady of the Rosary. Continue to pray the rosary every day. The war is going to end, and the soldiers will soon return to their homes.

Lucia: I have many things to ask you: if you would cure some sick persons, and if you would convert some sinners...

 

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Our Lady: Some yes, others no. They must amend their lives and ask forgiveness for their sins.

Becoming sadder, she added, “Let them offend Our Lord no more for He is already much offended.”

Then, opening her hands, Our Lady shone the light issuing from them onto the sun, and as she rose, her own radiance continued to be cast onto the sun.

At that moment, Lucia cried, "Look at the sun!"  

Once Our Lady had disappeared in the expanse of the firmament, three scenes followed in succession, symbolizing first the joyful mysteries of the rosary, then the sorrowful mysteries, and, finally, the glorious mysteries. Lucia alone saw the three scenes; Francisco and Jacinta saw only the first.

The first scene: Saint Joseph appeared beside the sun with the Child Jesus and Our Lady of the Rosary. It was the Holy Family. The Virgin was dressed in white with a blue mantle. Saint Joseph was also dressed in white, and the Child Jesus in light red. Saint Joseph blessed the crowd, making the Sign of the Cross three times. The Child Jesus did the same.

The second scene: A vision of Our Lady of Sorrows, without the sword in her breast, and of Our Lord overwhelmed with sorrow on the way to Calvary.

Our Lord made the Sign of the Cross to bless the people.

Lucia could only see the upper part of Our Lord's body.

The third scene: Finally, Our Lady of Mount Carmel, crowned queen of heaven and earth, appeared in a glorious vision holding the Child Jesus near her heart.

While these scenes took place, the great throng of 70,000 spectators witnessed the miracle of the sun.

It had rained all during the apparition. At the end of the conversation between Our Lady and Lucia – when the Blessed Virgin rose and Lucia shouted, "Look at the sun!" – the clouds parted, revealing the sun as an immense silver disk shining with an intensity never before seen – though not blinding.

This lasted only an instant. Then the immense disk began to "dance."

The sun spun rapidly like a gigantic circle of fire. Then it stopped momentarily, only to begin spinning vertiginously again. Its rim became scarlet; whirling, it scattered red flames across the sky.

Their light was reflected on the ground, on the trees, on the bushes, and on the faces and clothing of the people, which took on brilliant hues and changing colors.

After performing this bizarre pattern three times, the globe of fire seemed to tremble, shake, and then plunge in a zigzag toward the terrified crowd.

All this lasted about ten minutes. Finally, the sun zigzagged back to its original place and once again became still and brilliant, shining with its normal brightness. The cycle of the apparitions had ended.

Many people noticed that their clothes, soaking wet from the rain, had suddenly dried.

The miracle of the sun was also seen by numerous witnesses up to twenty-five miles away from the place of the apparition.

 


 

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DAILY QUOTE for April 26, 2018

Two things are required in order to obtain eternal life: the...

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April 26

 

Two things are required
in order to obtain eternal life:
the grace of God and man’s will.
And although God made man without man’s help,
He does not sanctify him without his cooperation.

St. Thomas Aquinas


Madonna and Child  DUNKED IN URINE?  STOP!

SAINT OF THE DAY

Mother of Good Counsel

The two soldiers followed the image over land and across the...

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Mother of Good Counsel

In the quaint medieval town of Genazzano, about 30 miles from Rome, on a side altar of the Church of Our Lady of Good Counsel, there is a small image of the Blessed Virgin holding her infant Son. The Child, in His turn, lovingly encircles Mary's neck with His arm, inclining her head towards Himself in a gentle and intimate embrace.

This small fresco has a marvelous history.

In the fifteenth century there lived in the town an elderly widow, by name Petruccia, who had invested the entirety of the small fortune left to her by her husband in a needed side chapel for her church. Her money running out when the walls were only a few feet high, the townsfolk openly mocked and ridiculed her for her foolishness. Undaunted, Petruccia assured them that in spite of the apparent failure of her own endeavors, the Mother of God and St. Augustine, whose spiritual sons were caretakers of the church, would finish the work she had begun.

On April 25, 1467 as the inhabitants of Genazzano celebrated the feast of their patron St. Mark, marvelous music was heard approaching, its source seemingly from above. Looking upwards, the astounded citizens saw a brilliant cloud descending towards them. The bell of the church, and then others throughout the town, began to peel of their own accord. The cloud came to rest on Petruccia’s unfinished chapel wall and gradually dissipated, revealing the extraordinary image of the Madonna and Child. The widow's supernatural confidence being so wonderfully rewarded before the astonished gaze of all, the construction of the chapel was not long in its completion.

Shortly after these remarkable events, two foreigners in strange attire arrived in Genazzano claiming to be Albanians. Their names were Giorgio and DeSclavis and on seeing the icon, they cried out with joy and then told a wonderful tale.

After the death of Albania's king, George Castriota, known as Scanderberg, their nation had finally been conquered by the invading Turks. Early in 1467, while they prayed before the miraculous fresco, the image suddenly became illuminated, and detaching itself from the wall, it began to move through the air. Entranced, the two former soldiers followed the painting, first over land and, then, across the Adriatic Sea, which solidified under their feet.

In the Eternal City they lost sight of it, until hearing reports of a great miracle in a nearby town, they surmised where their Madonna had come to rest. Both decided to remain near their treasure, and married and raised families in Genazzano.

A plaque left at the shrine by visiting Albanians begs their Madonna to return to them, but there she is to this day. It is a continuous miracle: a fresco painted on eggshell plaster suspended in the air for five and a half centuries, but how much greater is the miracle of that tender embrace between Mother and Child, that union of soul into which each one is invited and warmly received.

WEEKLY STORY

The Miraculous Christ de la Vega

In the dead silence that ensued, all present heard a voice c...

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The Miraculous Christ de la Vega

There was once in the city of Toledo, Spain a soldier, Diego Martinez, and a young woman, Ines de Vargas, who were in love.

Diego was called to fight in Flanders, so, at Ines’ insistence, before a crucifix known as The Christ de la Vega, Diego solemnly swore to marry her on his return.

With Diego gone, Ines felt lost and alone, and often sought solace at the foot of the Christ who had witnessed their solemn engagement.

Years went by, Ines always on the lookout. One day, at the head of a returning cavalry, she beheld her fiancé. She screamed and rushed to meet him, but he feigned not to know her, and passed on.

Successful in war and prowess, he had not only been promoted to captain, but had been knighted by the King, and no longer considered Ines a worthy prospect.

Tears being of no avail, the spurned young woman took her case before the governor of Toledo, Don Pedro Ruiz de Alarcon, claiming that Diego Martinez had sworn to marry her. But the captain denied such a vow, and with no witnesses, the case was about to be dismissed when Ines cried:

“Indeed, there was a witness–the Christ the la Vega!”

There was a stunned silence. But, this was Catholic Spain, and finally, judge, Diego, Ines, court and the curious repaired to the Basilica of St. Leocadia* , which housed the carved Christ.

Kneeling between Diego and Ines before the life-sized crucifix, Don Pedro held up a Bible and asked if He, Jesus Christ, Sovereign Lord, would indeed swear to the couple’s solemn vow to wed each other.

In the dead silence that ensued, all present heard a voice coming from the statue,

“I SWEAR.”

At the same time, to the astonishment of all, the statue’s right arm, descended, its hand coming to rest on the Bible which the judge held up.

So struck were Diego and Ines, that giving up all earthly plans, they entered religious life.

As to the Christ de la Vega, to this day, His right arm remains in the same position, and, some affirm, His mouth slightly open in the utterance of His witness.

By A.F. Phillips

*Now the Ermita del Cristo de la Vega

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In the dead silence that ensued, all present heard a voice coming from the statue,

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