Facebook Twitter Pinterest Youtube Instagram Give

 

Fatima Children after seeing the vision of hellOn July 13, 1917 Our Lady of Fatima revealed to the young seers, Lucia, Francisco and Jacinta three secrets or a secret in three parts, only later to be revealed at the appointed time. The first secret is the vision of Hell which Our Lady showed to the children, and which, though lasting only a moment, was graphic and terrifying.

The second part of the secret is Our lady’s warning of a chastisement to come if her requests were not heeded.

Both secrets were revealed by Sister Lucia in 1941.
(see: Third Apparition, July 13, 1917)

The third secret the seer omitted in her memoirs.

She only wrote about this third secret in January, 1944, at a request of the Bishop of Leiria, Dom José Alves Correia da Silva. On June 26, 2000, in accordance with specific instructions from His Holiness, Pope John Paul II, the Congregation for the Doctrine of the Faith released the text of the third secret.

 

This is the Vatican’s official English translation of the text
of the third secret as published on the Vatican Website:

J.M.J.

The third part of the secret revealed at the Cova da Iria, Fatima, on July 13, 1917:

“I write in obedience to you, my God, who commands me to do so through his Excellency the Bishop of Leiria and through your Most Holy Mother and mine.

Angel with flaming sword“After the two parts which I have already explained, at the left of Our Lady and a little above, we saw an Angel with a flaming sword in his left hand; flashing, it gave out flames that looked as though they would set the world on fire; but they died out in contact with the splendor that Our Lady radiated towards him from her right hand: pointing to the earth with his right hand, the Angel cried out in a loud voice: ‘Penance, Penance, Penance!’

“And we saw in an immense light that is God: ‘something similar to how people appear in a mirror when they pass before it’ a bishop dressed in white ‘we had the impression that it was the Holy Father’. [We saw] other bishops, priests, men and women religious climbing a steep mountain, at the top of which was a large Cross…Before reaching this point, the Holy Father passed through a big city half in ruins. He trembled with a halting step, afflicted with pain and sorrow, praying for the souls of the corpses he met on his way; having reached the top of the mountain, on his knees at the foot of the large Cross he was killed by a group of soldiers who fired bullets and arrows at him, and in the same way there died one after another the other bishops, priests, men and women religious, and various lay people of different ranks and positions. Beneath the two arms of the Cross there were two Angels each with a crystal aspersorium in his hand, in which they gathered up the blood of the martyrs and with it sprinkled the souls that were making their way to God. Tuy, Spain, 3-1-1944”.

 


 

 Fatima Book Banner

 

 

 [back to top]

 

 

DAILY QUOTE for April 26, 2018

Two things are required in order to obtain eternal life: the...

read link

April 26

 

Two things are required
in order to obtain eternal life:
the grace of God and man’s will.
And although God made man without man’s help,
He does not sanctify him without his cooperation.

St. Thomas Aquinas


Madonna and Child  DUNKED IN URINE?  STOP!

SAINT OF THE DAY

Mother of Good Counsel

The two soldiers followed the image over land and across the...

read link

Mother of Good Counsel

In the quaint medieval town of Genazzano, about 30 miles from Rome, on a side altar of the Church of Our Lady of Good Counsel, there is a small image of the Blessed Virgin holding her infant Son. The Child, in His turn, lovingly encircles Mary's neck with His arm, inclining her head towards Himself in a gentle and intimate embrace.

This small fresco has a marvelous history.

In the fifteenth century there lived in the town an elderly widow, by name Petruccia, who had invested the entirety of the small fortune left to her by her husband in a needed side chapel for her church. Her money running out when the walls were only a few feet high, the townsfolk openly mocked and ridiculed her for her foolishness. Undaunted, Petruccia assured them that in spite of the apparent failure of her own endeavors, the Mother of God and St. Augustine, whose spiritual sons were caretakers of the church, would finish the work she had begun.

On April 25, 1467 as the inhabitants of Genazzano celebrated the feast of their patron St. Mark, marvelous music was heard approaching, its source seemingly from above. Looking upwards, the astounded citizens saw a brilliant cloud descending towards them. The bell of the church, and then others throughout the town, began to peel of their own accord. The cloud came to rest on Petruccia’s unfinished chapel wall and gradually dissipated, revealing the extraordinary image of the Madonna and Child. The widow's supernatural confidence being so wonderfully rewarded before the astonished gaze of all, the construction of the chapel was not long in its completion.

Shortly after these remarkable events, two foreigners in strange attire arrived in Genazzano claiming to be Albanians. Their names were Giorgio and DeSclavis and on seeing the icon, they cried out with joy and then told a wonderful tale.

After the death of Albania's king, George Castriota, known as Scanderberg, their nation had finally been conquered by the invading Turks. Early in 1467, while they prayed before the miraculous fresco, the image suddenly became illuminated, and detaching itself from the wall, it began to move through the air. Entranced, the two former soldiers followed the painting, first over land and, then, across the Adriatic Sea, which solidified under their feet.

In the Eternal City they lost sight of it, until hearing reports of a great miracle in a nearby town, they surmised where their Madonna had come to rest. Both decided to remain near their treasure, and married and raised families in Genazzano.

A plaque left at the shrine by visiting Albanians begs their Madonna to return to them, but there she is to this day. It is a continuous miracle: a fresco painted on eggshell plaster suspended in the air for five and a half centuries, but how much greater is the miracle of that tender embrace between Mother and Child, that union of soul into which each one is invited and warmly received.

WEEKLY STORY

The Miraculous Christ de la Vega

In the dead silence that ensued, all present heard a voice c...

read link

The Miraculous Christ de la Vega

There was once in the city of Toledo, Spain a soldier, Diego Martinez, and a young woman, Ines de Vargas, who were in love.

Diego was called to fight in Flanders, so, at Ines’ insistence, before a crucifix known as The Christ de la Vega, Diego solemnly swore to marry her on his return.

With Diego gone, Ines felt lost and alone, and often sought solace at the foot of the Christ who had witnessed their solemn engagement.

Years went by, Ines always on the lookout. One day, at the head of a returning cavalry, she beheld her fiancé. She screamed and rushed to meet him, but he feigned not to know her, and passed on.

Successful in war and prowess, he had not only been promoted to captain, but had been knighted by the King, and no longer considered Ines a worthy prospect.

Tears being of no avail, the spurned young woman took her case before the governor of Toledo, Don Pedro Ruiz de Alarcon, claiming that Diego Martinez had sworn to marry her. But the captain denied such a vow, and with no witnesses, the case was about to be dismissed when Ines cried:

“Indeed, there was a witness–the Christ the la Vega!”

There was a stunned silence. But, this was Catholic Spain, and finally, judge, Diego, Ines, court and the curious repaired to the Basilica of St. Leocadia* , which housed the carved Christ.

Kneeling between Diego and Ines before the life-sized crucifix, Don Pedro held up a Bible and asked if He, Jesus Christ, Sovereign Lord, would indeed swear to the couple’s solemn vow to wed each other.

In the dead silence that ensued, all present heard a voice coming from the statue,

“I SWEAR.”

At the same time, to the astonishment of all, the statue’s right arm, descended, its hand coming to rest on the Bible which the judge held up.

So struck were Diego and Ines, that giving up all earthly plans, they entered religious life.

As to the Christ de la Vega, to this day, His right arm remains in the same position, and, some affirm, His mouth slightly open in the utterance of His witness.

By A.F. Phillips

*Now the Ermita del Cristo de la Vega

 Order your free copy of the Irresistable Novena of the Sacred Heart of Jesus

 

In the dead silence that ensued, all present heard a voice coming from the statue,

Let’s keep in touch!